Artist’s Statement ….Part Two

“I feel bad about people paying for my work because I think that the people who buy and even those who appreciate my work are somehow being duped. I keep feeling that at some point I am going to be found out to be an imposter. I feel bad when my work is considered valuable.”

The Pale Rook

The Pale Rook

So remember that thing I applied for?

My application was successful.  I was selected to take part in a project at Scotland’s Craft Town,  the wonderful West Kilbride.   I’ve been a massive fan of the Craft Town since I first found out about it a few years ago, so I’m massively chuffed to be a part of it.  The project I’m involved in takes selected craft makers based in Scotland and gives them specialist business mentoring and studio space for six months.   For the first time in over a decade I am being mentored rather than mentoring others, which has been quite a shock to the system.

The first meeting of the participants, organisers and business mentors involved an exercise where we had to think of things that limited our business or things that we were worried about and then we had to decide whether these things were Financial…

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What a Poetry Reviewer looks for

Some useful guidlines for self-publishers.

Emma Lee's Blog

I recently came across a suggestion that self-published poetry books could be seen as lacking credibility or editorial rigour. That’s not my experience as a reviewer. It’s fair to say a self-published poet is more likely to make a negative comment about my review, but that’s usually because a self-published poet places more importance on reviews than they deserve.

What does a Poetry Reviewer look for?

  • Poet’s name – not because established poets get a more favourable reaction but because if I’ve seen the name before as someone getting regularly published in poetry magazines (regardless of how many poetry books they have or haven’t published), then the poems in the book are more likely to be of a good standard.
  • Publisher – not because of a bias towards certain publishers but just to see whether the book is self, vanity or traditionally published. At this stage it’s about production values…

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